While Aesthetic Journalism doesn't touch at all on mainstream filmmaking, it does seem to be a strikingly novel study of 'the journalistic turn in the contemporary visual arts', one that may prove especially useful to those considering issues of 'documentary' and 'fiction' in relation to artists' film and video (FSFF is thinking of some of the work of such visual artists and filmmakers as Harun Farocki, Hito Steyerl, Clio Barnard, Adam Chodzco, and Alia Syed, to name but a few).
Here's the publishers' blurb to whet your appetite some more:
As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as ‘Aesthetic Journalism’, challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer. The book explores how the production of truth has shifted from the domain of the news media to that of art and aestheticism. With examples and theories from within the contemporary art and journalistic-scape, the book questions the very foundations of journalism. Aesthetic Journalism suggests future developments of this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike.The author Alfredo Cramerotti (1967) is a writer, curator and artist based in the UK. Among his recent research and curatorial activity: co-curator, Manifesta 8 European biennial of contemporary art (2009-2011); curator, QUAD Derby (2008-present), co-curator, CPS Chamber of Public Secrets (2004-present) and AGM Annual General Meeting (2003-present).