Showing posts with label classical music on film. Show all posts
Showing posts with label classical music on film. Show all posts

Sunday, 29 January 2012

Conversations from the REMIX CINEMA Workshop

In conversation with Richard Misek at the Remix Cinema Workshop 2011

Film Studies For Free took a little break to meet a few deadlines in the last two weeks. Normal service resumes this week, thankfully.

In the next days, there will be an entry of links in memory of Theo Angelopoulos who sadly died last week. So, do please come back for that.

Today, though, FSFF posts links to some recently uploaded audio files which very valuably record great interviews with the contributors to an important workshop conference that took place last March at Oxford University.

The event explored the topic of Remix Cinema: the collaborative making, deconstruction and distribution of digital artefacts, and was part of a wider project exploring the role of audio-visual remix practices in contemporary digital culture.

Thanks to everyone taking part for making these excellent resources available to everyone working in the field.


Monday, 28 November 2011

"Pity we aren't madder": Ken Russell links in his magnificent memory

"I think we've all gone mad" [Jennie Linden as Ursula Brangwen]
"Pity we aren't madder" [Alan Bates as Rupert Birkin] 
 Scene from Women in Love (Ken Russell, 1969)

An extract from one of Ken Russell's very first films, Amelia and the Angel (1958) 

Film Studies For Free was saddened to hear of the death yesterday of the magnificent filmmaker Ken Russell. A monumental passing. But what a cinematic life he lived!

Russell's weirdly, viscerally, brilliant Altered States (1980) was one of the first films genuinely to whet FSFF's author's off-beat cinematic appetite, and his adaptation of Women in Love (excerpted above) and his portraits of Elgar (1962), Delius (1968) and Mahler (1974) are several of her favourite British films.

Below, FSFF has gathered some links to online scholarly studies of Russell's work, and to related  resources. Readers should also check out David Hudson's essential collection of tributes to, and other material about, the British filmmaker for the Mubi Notebook here.