VIEW, the Journal of European Television History and Culture: European Television Memories

Screenshot from The Paradox of the Monarchy, an archive-film video collage (by Catherine Grant) exploring some of the psychological and mediatized components of the public's relationship with the UK monarchy. Read Hazel Collie's discussion of significant, gendered, televisual memories, such as those of the coronation of Queen Elizabeth II, in "It's Just So Hard to Bring It to Mind": The Significance of ‘Wallpaper’ in the Gendering of Television Memory Work

Film Studies For Free is delighted to announce that EUscreen has presented issue 03 of VIEW, the Journal of European Television History and Culture.

The new issue treats the subject of 'European Television Memories', and it's full of wonderful discussions of 'dynamic memory practices that take place in the contemporary media landscape as an ongoing, active and performative engagement with the past', as the issue's editorial puts it. Such discussions are highly relevant to film scholars, too.

The full table of contents is given below, with FSFF's congratulations to VIEW on an excellent issue.


Editorial

• Editorial Jérôme Bourdon, Berber Hagedoorn PDF HTML

Discoveries

• ‘Remembering Our First TV Set’. Personal Memories as a Source for Television Audience History Cecilia Penati HTML PDF
• "It's Just So Hard to Bring It to Mind": The Significance of ‘Wallpaper’ in the Gendering of Television Memory Work Hazel Collie HTML PDF
• Martin Luther in Primetime. Television Fiction and Cultural Memory Construction in Cold War Germany Stewart Anderson HTML PDF 
• The Production of Czechoslovakia´s Most Popular Television Serial 'The Hospital On The Outskirts' and Its Post-1989 Repeats Petr Bednařík  HTML PDF
• Parallel Stories, Differentiated Histories. Exploring Fiction and Memory in Spanish and Portuguese Television José Carlos Rueda Laffond, Carlota Coronado Ruiz, Catarina Duff Burnay, Susana Díaz Pérez, Amparo Guerra Gómez, Rogério Santos  HTML PDF
• Looking for What You Are Looking for: a Media Researcher’s First Search in a Television Archive Jasmijn Van Gorp HTML PDF

Explorations

• Television as a Hybrid Repertoire of Memory. New Dynamic Practices of Cultural Memory in the Multi-Platform Era Berber Hagedoorn HTML PDF  
• Why Should We Study Socialist Commercials? Anikó Imre HTML PDF
• Window to the West: Memories of Watching Finnish Television in Estonia During The Soviet Period Annika Lepp, Mervi Pantti  HTML PDF 
• The Life and Afterlife of a Socialist Media Friend. On the Longterm Cultural Relevance of the Polish TV Series 'Czterdziestolatek' Kinga S. Bloch  PDF HTML 
• Chronology and Ideology. Temporal Structuring in Israeli Historical Documentary Series Bosmat Garami HTML PDF
• Great Escapes from the Past. Memory and Identity in European Transnational Television News Andreas Widholm HTML PDF
• Memory, Television and the Making of the BBC’s 'The Story Of Wales' Steve Blandford, Ruth McElroy HTML PDF

VIEW is published by the Netherlands Institute for Sound and Vision in collaboration with Utrecht University, Maastricht University and Royal Holloway University of London. It is supported by the EUscreenXL project, the European Television History Network and the Netherlands Organization for Scientific Research.

VIEW, the Journal of European Television History and Culture is the first peer-reviewed, multi-media and open access e-journal in the field of European television history and culture. It offers an international platform for outstanding academic research and archival reflection on television as an important part of our European cultural heritage. The journal is proud to present its third issue: European Television Memories. It has been guest-edited by Jérôme Bourdon and Berber Hagedoorn and is freely available at: http://www.viewjournal.eu
In the context of the fast development of media studies, the third issue of VIEW highlights debates around the moving borders of national memories, fostered by television in the context of European history. The articles in this issue focus on the contribution of European television researchers, covering all three areas of media studies: production, text and reception. We wish you a pleasant and inspiring journey through European Television Memories!

www.viewjournal.eu - Twitter: @ViewjournalEU

Film,Television and Media Studies articles in STUDIES IN POPULAR CULTURE

Framegrab of Rooney Mara as 'final girl' Nancy Holbrook in the 2010 remake of A Nightmare On Elm Street (Samuel Bayer, 2010). Read Kyle Christensen's article on this film's source text ('The Final Girl versus Wes Craven's A Nightmare on Elm Street: Proposing a Stronger Model of Feminism in Slasher Horror Cinema'), and also check out Film Studies For Free's entry of links to 'Final Girl' Studies

Below, Film Studies For Free links to the entire online contents, to date, of the excellent Open Access journal Studies in Popular Culture: a list of more than 60 great articles on film, television and media studies. 

The journal of the US Popular Culture Association / American Culture Association in the South, SPC dates back, in its offline, print version, to 1977, making it one of the oldest, continuously published academic journals to treat audiovisual media.  

SPC has been online since 2006 and is a wonderful example of how an online presence indicates no necessary lowering of the quality bar for a properly peer-reviewed journal. 


29.1 October 2006 [Go here for an online table of contents)

• "Reinventing the Hero: Gardner's Grendel and the Shifting Face of Beowulf in Popular Culture" -- Michael Livingston and John William Sutton 
• "Cowboys, Indians, and Iraq: Jessica Lynch, Loria Pestewa, and the Great American Makeover." -- Gioia Woods
• "Artistic Schizophrenia: How Fight Club's Message is Subverted by its Own Nature" -- Kyle Bishop
• "Michael, Are You Okay? You've Been Hit By a Smooth Criminal: Racism, Contraversy, and Parody in the Video Clips "Smooth Criminal" and "You Rock My World." -- Elenda Oliete
• "'Sigmund Freud, Analyze This': How Madonna Situates "Die Another Day" Beyond the Pleasure Principle" -- David Sigler 

30.2 Spring 2008 [Go here to find a PDF of the entire issue]

• Little America: R.E.M., Howard Finster, and the Southern "Outsider Art" Aesthetic -- Matthew Sutton
• Brokeback Mountain: Masculinity and Manhood -- James R. Keller and Anne Goodwyn Jones
• Race, Crime, and Motherhood in George Pelecanos's Soul Circus -- Alexander Pitofsky
• The Politics of Talk: The Oprah Interview as Narrative -- Sarah Henstra
• Survival of the Stereotypical: A Study of Personal Characteristics and Order of Elimination on Reality Television -- Bryan E. Denham and Richelle N. Jones
• A Car of Her Own: Volvo's "Your Concept Car" as a Vehicle for Feminism? -- Roy Schwartzman and Merci Decker
• Trainspotting, High Fidelity, and the Diction of Addiction -- Scott Stalcup 

31.1 Fall 2008 [Go here to find a pdf of the entire issue]

• From the Editor: Popular Culture of the Past 
• From Apicius to Gastroporn: Form, Function, and Ideology in the History of Cookery Books -- Abigail Dennis
• Queer Investigations: Foxy Ladies and Dandy Detectives in American Dime Novels -- Pamela Bedore
• Literary Art in an Age of Formula Fiction and Mass Consumption: Double Coding in Arthur Conan Doyle’s “The Blue Carbuncle” -- Nils Clausson 
• Lost Girl: Diminishing Dorothy of Oz -- SydneyDuncan
• The Protean Character of Jello, Icon of Food and Identity -- Susan Grove Hall
• Gazing on Fu-Manchu: Obscurity and Imperial Crisis in the Work of Sax Rohmer -- Rebecca Wingfield
• “To Renew the Old World”: Record Collecting as Cultural Production -- Kevin Moist 

31.2 Spring 2009 [Go here to find a pdf of the entire issue]

• From the Editor: Popular Culture's "Material and Conceptual Conditions 
• Fast Food Frontiers: I've Got a Feeling We're Not in Kansas Anymore -- Minjoo Oh
• Sexed Appeals: Network Marketing and Adult Home Novelty Parties -- Dawn Heinecken 
• Popularizing HIgh Culture: Zemeckis's Beowulf -- Kathleen Forni
• Fear and Loathing in Knoxvegas: Representations of the "Other" in the Official Press Before and During the 1982 Knoxville World's Fair -- Stephen Bales and Charlie Gee
• Paul Reveres of Early Radio: The Boy Scouts and the Origin of Broadcasting -- Noah Arceneaux 
• The Legend of Sacco and Vanzetti: Keeping the Story Alive on the Political Left in Literature, Song, and Film -- Ron BrileyTamenicia or Tammy; James or Jim Bob; Bessie or Heather: Patterns and Significance of Choosing Names for American Babies -- Claude J. Smith, Jr. 

32.1 Fall 2009 [Go here to find a PDF of the Entire Issue]

• From the Editor: Moral Choices in the Art of Popular Culture
• "Spiritual Warfare" and Intolerance in Popular Culture: The Left Behind Franchise, the Commodification of Belief, and the Consequences for Imagination -- Marnie Jones
• The Narcissism of Bipartisanship: Accessing Ann Coulter on the Internet -- Lindsey Ives
• "Not Like Other Men"?: The Vampire Body in Joss Whedon's Angel -- Lorna Jowett
• "...long before the stars were torn down ...": Sam Shepard and Bob Dylan's "Brownsville Girl" -- Katherine Weiss 
• Death and Magic in Clive Barker's Lord of Illusions: A Terror Management Perspective -- Jonathan Bassett
• Disneyfying Dickens: Oliver and Company and The Muppet Christmas Carol as Dickensian Musicals -- Marc Napolitano 
• Even a Tramp Can Dream: An Examination of the Clash Between "High Art" and "Low Art" in the Films of Charlie Chaplin -- Richard Ward 

32.2 Spring 2010 [Go here to find a pdf of the entire issue]

• From the editor: No Monoliths Here
• Striking Back Without Missing a Beat: Radical Responses to Domestic Violence in Country Music’s The Dixie Chicks and Salsa’s Celia Cruz -- Delia Poey
• “But This Is the South”: Ambivalent Regionalism in Jan Karon’s Mitford Novels -- Eleanor Hersey Nickel
• Adapting Shakespeare for Star Trek and Star Trek for Shakespeare: The Klingon Hamlet and the Spaces of Translation -- Karolina Kazimierczak
• The Jesus Fish: Evolution of a Cultural Icon -- Todd Edmondson
• The Politics of the "Open" Self: America in the Cinemas of King Vidor and Robert Altman -- Margaret Hrezo and William E. Hrezo
• Like a “Whopper Virgin”: Anthropological Reflections on Burger King’s Controversial Ad Campaign -- Ty Matejowsky 
• The Portrayal of Racial Minorities on Prime Time Television: A Replication of the Mastro and Greenberg Study a Decade Later -- Elizabeth Monk-Turner, Mary Heiserman, Crystle Johnson, Vanity Cotton, and Manny Jackson 

33.1 Fall 2010 [Go here to find a pdf of the entire issue]

• From the editor: Theory and Practice
• What's Entertainment? Notes Toward a Definition -- Stephen Bates and Anthony J. Ferri 
• Popular Fiction Studies: The Advantages of a New Field -- Matthew Schneider-Mayerson
• Interpretive Methodology from Literary Criticism: Carnivalesque Analysis of Popular Culture: Jackass, South Park, and ‘Everyday’ Life -- Gulnara Karimova
• The Cinematic and Historic Weight of Stone of Destiny -- Lynnette Porter
• Ken Follett and the Scribbler's Trade: A Midnight Train to Somewhere -- Carlos Ramet
• The “Aquatic Zionist” in The Yiddish Policemen's Union -- Bennett Kravitz
• “Tons of Useful Stuff”: Defining Wellness in Popular Magazines -- Carol-Ann Farkas 

33.2 Spring 2011 [Go here to find a PDF of the entire issue]

• From the editor: Cultural Fragments, Cultural Flowers
• My Vampire Boyfriend: Postfeminism, “Perfect” Masculinity, and the Contemporary Appeal of Paranormal Romance -- Ananya Mukherjea
• “Thou Shalt Not Crave Thy Neighbor” : True Blood, Abjection, and Otherness -- Sabrina Boyer
• Mad Men's Color Schemes: A Changing Palette of Working Women -- Katherine Gantz
• The Revolution Will Be Soooo Cute: YouTube “Hauls” and the Voice of Young Female Consumers -- Laura Jeffries
• Outsider Nostalgia in Dazed and Confused and Detroit Rock City -- Carey L. Martin
• The Beatles and the Art of the Tambourine -- Steven Hamelman
• Outsourced: Crime Stories, New World Horrors, and Genre -- Jonathan L. Crane 

34.1 Fall 2011 [Go here to find a PDF of the entire issue]

• From the editor: Art for Someone Else's Sake
• Protecting a City’s Image: The Death of Las Vegas Beat, 1961 -- Larry Dale Gragg
• The Final Girl versus Wes Craven's A Nightmare on Elm Street: Proposing a Stronger Model of Feminism in Slasher Horror Cinema -- Kyle Christensen
• “And I Started Wondering . . .”: Voiceover and Conversation in Sex and the City -- Ashli Dykes
• Refrigerator Design and Masculinity in Postwar Media, 1946-1960 -- Paul Gansky
• Pop Culture, Politics, and America's Favorite Animated Family: Partisan Bias in The Simpsons? -- Kenneth Michael White and Mirya Holman
• Evaluating the Presence of Social Strain in Rockstar Games’ Grand Theft Auto IV -- Patrick Osborne

The Working-Class Hero in International Cinema: in Memory of Pete Postlethwaite

Pete Postlethwaite, as Danny, delivers his Albert Hall speech in Brassed Off (Mark Herman, 1996)

The bottom line for Danny [Pete Postlethwaite] is [his son] Phil’s emblematic loss of ‘the will to live’. He addresses the Albert Hall audience for all the world as if he were the holy ghost of Scargill and the militant miners of 1984, telling the punters, the press and us that, ‘I thought that music mattered. But does it bollocks; not compared to what people matter’. Charging the government with destroying an industry, a community and its people, he refuses the prize, calculating, as the flash bulbs pop, that ‘then it becomes news. And I won’t be talking just to myself, will I?’ In this scene the shot-reverse-shots of father and son, Danny and media, band and Grimley fans, and band and approving urban audience (its cosmopolitanism symbolised by two black faces) works as much as Danny’s polemic to argue that the old-fashioned working-class values, the local, British loyalties of community, family and labour -contrasted satirically by Danny to the fashionable liberal campaigns to save ‘seals or whales’ - can cut through Tory brutalism and reconstruct progressive priorities - to be the bearer of new national hopes. [Cora Kaplan, 'The Death of the Working-Class Hero', New Formations, 52 (Summer, 2004)]

Film Studies For Free was shocked and saddened to hear of the death yesterday of much loved British actor Pete Postlethwaite. David Hudson's set of links to tributes to Postlethwaite may be found here. 

Postlethwaite was a highly versatile actor, far from limited either in his life by his English working-class background, or in his career by his talent for the working-class dramatic roles in which he was so often cast. But it is the case that some of his most memorable roles were, like that of Danny in Brassed Off, ones that set themselves in the kind of tightly-knit, but, under political attack, all too easily undone, northern English communities he came from.

FSFF's tribute, below, focuses on this aspect of Postlethwaite's work: his class act, that was not just an act. It's a rich and hopefully rewarding set of links to online and openly accessible scholarly discussions of the (usually, but not exclusively, male) "working-class hero" film character - quite a transnational cinematic trope, as it turns out.

• Dave Allen, 'MIDDLE-CLASS MODS and WORKING-CLASS SODS: Quadrophenia and the Construction of Popular Histories', The 1970s Project, 2008

• Christopher Beach, excerpt from ‘A Troubled Paradise: Utopia and Transgression in Comedies of the Early 1930s’, Class, Language and American Film Comedy (Cambridge: Cambridge University Press, 2002)

• BFI Screenoline 'Working Class Heroes'

• Cathy Brigden, 'Representations of labour: Images of work and workers in film', in P. Stanton and S. Young (eds) Proceedings of the 22nd Conference of the Association of Industrial Relations Academics of Australia and New Zealand, Melbourne, 2008

• Ron Briley, 'The Legend of Sacco and Vanzetti: Keeping the Story Alive in Literature, Song, and Film' , Studies in Popular Culture, 31.2, Spring 2009

• Lee Carruthers, 'Biding Our Time: Rethinking the Familiar in Steven Soderbergh's The Limey', Film Studies, Vol. 9, Winter 2006

• E. Anna Claydon, 'New Perspectives on British Cinema: Going Beyond the "Crisis" in Masculinity', Paper at the Exploring Masculinities and Film at the Centre for Research into Film and Media, University of Newcastle upon Tyne, July 2-4, 2001

• Chantal Cornut-Gentille D'Arcy, "Everything you always hated about Thatcher's Britain: A cultural analysis of Mike Leigh's High Hopes (1988)," Miscelanea, 2004, vol.28, 145-160

• John Curzon, 'Whatever Happened to the North of England? The Spaces of Post-Industrial Northern England in Contemporary Television and Film Drama', PhD thesis, University of Warwick, 2009

• Alexander Dhoest, 'How queer is L'Air de Paris? -- Marcel Carné and Queer Authorship', Scope, May 2003

• Jay Dolmage and William DeGenaro, '"I Cannot Be Like This Frankie": Disability, Social Class, and Gender in Million Dollar Baby', Disability Studies Quarterly, Spring 2005, Volume 25, No. 2

• Thomas Elsaesser, 'Antigone Agnistes: Urban Guerrilla or Guerrilla Urbanism? The Red Army Fraction, Germany in Autumn and Death Game', Rouge, 4, 2004

• David Frank, 'Short Takes: The Canadian Worker on Film', Labour/Le Travail, 46 (Fall 2000), 417-37

• Michelle Gadpaille, 'Look Back in Anger and Popular Culture', Maribor International Review Vol. 1, no. 1 (2008)

• Sarah Godfrey, 'Villainous Victims: The Paradox of the ‘Damaged’: Man in Naked and Nil By Mouth', eSharp, Issue 9, Spring 2007

• Susan Hayward, 'Simone Signoret 1921-1985: the star as sign-the sign as scar', Modern Languages Publications Archive, 1995

• Heather J. Hicks, 'Postindustrial Striptease: The Full Monty and the Feminization of Work', Colby Quarterly, Vol. 36, No. 1, 2000

• Justin Hindmarsh, 'British Cinema - style and context: an examination of British "New Wave" Films', Discussion Papers in Mass Communications, January 1997

• Jeffrey K. Jack, Irish Representations in the Films of Jim Sheridan and Neil Jordan, Masters thesis, Marshall University, 2005

• Martin Johnes and Gavin Mellor. 'The 1953 FA Cup Final: Modernity and Tradition in British Culture', Contemporary British History, Vol. 20, No. 2, June 2006

• Cora Kaplan, 'The Death of the Working-Class Hero', New Formations, 52 (Summer, 2004)

• John Kirk, 'Changing the Subject:Cultural Studies and the Demise of Class', Cultural Logic, 2002

• Chuck Kleinhans, 'Contemporary working class film heroes in Evel Knieval and The Last American Hero', from Jump Cut, no. 2, 1974

• Gérard Kraus, 'Other faces: Andy Bausch's Le Club des chômeurs (The Unemployment Club, 2002)', Kinoeye, 4.3, 2004

• J. Meryl Krieger, 'Imagining politics, popular music and remixing: YouTube, remediation and protest songs', Society for Ethnomusicology Annual Meeting October 26, 2007

• Ernest Larsen, 'F.I.S.T. Where are you, Jimmy?', from Jump Cut, no. 19, December 1978

• Jim Leach, 'Introduction', British Film (Cambridge: Cambridge University Press, 2004) 

• Leonard J. Leff, 'White Line Fever: Promise and frustration', from Jump Cut, no. 14, 1977

• Anne Leonard, 'Review of Hodges, Graham Russell Gao, Taxi! A Social History of the New York City Cabdriver', H-Urban, H-Net Reviews, April, 2008

• Julia Lesage, 'Blue collar filmography', from Jump Cut, no. 2, 1974

• Thomas Lindenberger, 'On the Road to the New Beginning: History and Utopia in Frank Beyer’s Karbid und Sauerampfer (Carbide and Sorrel)', Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film StudiesVolume 18, numéro 1, automne 2007

• Brenda Longfellow, 'Hyperbolic Masculinity and the Ironic Gaze in project Grizzly', Canadian Journal of Film Studies, Vo. 8, No. 1, Spring 1999

• Alan Lovell, 'The British Cinema: The Known Cinema?', The British Cinema Book, ed. Robert Murphy (London: Palgrave, 2009, 3e)

• Carl Philip Wahlberg Lund, The portrayal of Working-Class speech in British film: a study of accent in British films from the 1960s and the 2000s, Masters thesis, University of Bergen, 2009

• Kenneth MacKinnon, 'The Trouble with The Trouble with Men', Film-Philosophy, vol. 9 no. 21, April 2005

• Robert Alan Marcink, The Depiction of the Working Class in American Films of the Counterculture Era, PhD thesis, Indiana University of Pennysylvania, 2009

• Lisa Milner, 'Kenny: the evolution of the battler figure in Howard's Australia', (post-print) Journal of Australian Studies, vol. 33, no. 2, 2009

• Enric Monforte, 'Homosociality, Sexism and Homophobia: An Analysis of Charles Dickens's Our Mutual Friend and Rainer Werner Fassbinder's Thee Bitter Tears of Petra von Kant and Fox and His Friends', BELLS, Vol. 9, No. 1, (year unknown)

• Claire Monk, ‘Hey you, standing there, what you got to stare at?’ The post-punk female in British film: Breaking Glass (Brian Gibson, UK, 1980)', Paper at 1970s British Culture conference, University of Portsmouth, July 1-3, 2008

• Jon Scott Oberacker, The people and me: Michael Moore and the politics of political documentary, PhD thesis, University of Massachusetts Amherst, 2009

• Michael Pierse, 'Introduction', Writing Ireland's Working Class: Dublin After O'Casey (London: Palgrave, 2010)

• Nicola Rehling, All or Nothing: White Heterosexual Masculinity in Contemporary Popular Cinema, PhD Thesis, Aristotle University of Thessaloniki, 2005

• George Rodosthenous, 'Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y', Studies in Musical Theatre, 1 (3), 2007

• Rasha Salti, 'Critical Nationals: The Paradoxes of Syrian Cinema', Kosmorama 237(Danish Film Institute, Copenhagen) 2006

• Robert Carl Schehr, 'Martial Arts Films and the Action-Cop Genre: Ideology, Violence and Spectatorship', Journal of Criminal Justice and Popular Culture, 7(3), 2000

• Mark Schreiber, 'Re-negotiating Concepts of Masculinity in Contemporary British Film', Gender Forum, Issue 17, 2007 

• Fabian Schuppert, 'Andrzej Wajda's A Generation and Man of Marble from a Political Perspective', Kinema, Spring 2006

• Ira Shor, 'Rocky: Two faces of the American dream', from Jump Cut, no. 14, 1977 

• Andrew Spicer, 'Masculinities in British Cinema', Kwartalnik Filmowy (Film Quarterly) Poland Academy of Science (2006) in Polish. English translation

• Tetsuya Taguchi, 'The Working Class Audience of Rock Music, Liverpool in the 1960s', Doshisha Studies in Language and Culture 1-2 : pp. 293 – 313. 1998

• Olesya Venger, 'Transformation of Ukrainian and Serbian Media Identities During the Velvet Revolutions: The Impact of the Global Media', Global Media Journal, 6.10, 2007

• Ginette Vincendeau, 'The Mise-en-scene of Suffering: French chanteuses realistes', New Formations, No. 3, Winter 1987 

• Jamie Marie Wagner, 'Quai des brumes: An American Appeal', Film Matters, 2010