Saturday, 10 June 2017

Richly Resourceful! On B.Ruby Rich's Work, plus A Roundup of Recent Open Access Screen Studies Items

The above video treats the ending of Lucrecia Martel's La niña santa / The Holy Girl (2004), using insights about the film from Deborah Martin's book The Cinema of Lucrecia Martel (Manchester University Press, 2016) and Sophie Mayer's chapter 'Gutta cavat lapidem: The sonorous politics of Lucrecia Martel's swimming pools', in The Cinema of The Swimming Pool, eds. Christopher Brown and Pam Hirsch (Peter Lang, 2014). For Study Purposes Only - No Significant Spoilers.
The video is dedicated to pioneering queer and feminist film curator and critic B. Ruby Rich, one of the foremost advocates of the work of La niña santa's director, and much other queer New Argentine, and Latin American Cinema. 
Rich's career is justly being celebrated at a screening and discussion event taking place between June 21-25, 2017, at the Barbican Cinema (and other London venues) as part of its 2017 Film in Focus season. The event is entitled ‘Being Ruby Rich’ and is co-sponsored by Film London and co-curated by Club des Femmes, the queer-feminist film curating collective. La niña santa (a film championed by Rich, alongside Martel's other films) will be screened with an introduction by Sophie Mayer at the Barbican Cinema on Sunday, June 25, at 6pm.
For further information about these events, see here. 

Today, Film Studies For Free celebrates the much-awaited visit to London of B. Ruby Rich (foundational film critic, festival programmer, cultural theorist, and chronicler of social trends on screen and off), on the occasion of a magnificently merited celebration of her career at the Barbican and other venues, organised by Club des Femmes, the queer-feminist film curating collective (check out their interview about their work here).

The entry celebrates, as usual, in film studies links, beginning with a new video resource (above) on one of the films to be screened in this celebratory programme, and then lots of other rich Rich-related resources (below), followed by a roundup of recent Open Access Screen Studies Items, including numerous new journal issues online.

FSFF also wanted to share the great news that, from September 1, 2017, its author will be taking up the post of Professor of Digital Media and Screen Studies at Birkbeck, University of London, an institution with a longstanding and wonderful record of supporting open access publishing and widening educational access, in part through film curating study and practice! Birkbeck Institute for the Moving Image is also co-host of one of the free events celebrating Ruby Rich's work, taking place on June 21, 2017.

By (or Featuring) B. Ruby Rich:





On Rich's work:


Other news and recent open access screen studies links:
  1. Cinephile aggregator extraordinaire David Hudson has taken his expertly unmissable daily round-ups of cinephile links, news and events (formerly of Keyframe Daily) to the Criterion Collection "Daily" websitehttps://www.criterion.com/current/posts?category=The+Daily.
  2. Tiago Baptista's open-access PhD thesis on the digital audiovisual essay (supervised by Laura Mulvey and externally examined by Adrian Martin)! http://bbktheses.da.ulcc.ac.uk/215/.
  3. Rob King's great new book Hokum! The Early Sound Slapstick Short and Depression-Era Mass Culture is available in open access formats at Luminosoa here: http://www.ucpress.edu/book.php?isbn=9780520288119.
  4. Nicholas Mirzoeff's new free e-book The Appearance of Black Lives Matter (NAME Publications) is available here: http://namepublications.org/item/2017/the-appearance-of-black-lives-matter/.
  5. Out now: Issue 45.2 of Film/Literature Quarterly, a highly esteemed and long-established journal now available in an online open access version!! https://www.salisbury.edu/lfq/.
  6. Just out: Issue 7 of MOVIE: Journal of Film Criticism, with new features on Opening Shots and audiovisual essays: http://www2.warwick.ac.uk/fac/arts/film/movie/.
  7. Just out: Issue 12 of The Cine-Files: a special commemorative issue on Chris Marker and Jacques Rivette, featuring so many delightful and insightful pieces... including an essay by Rivette himself! http://www.thecine-files.com and http://www.thecine-files.com/dossier-rivette-marker/.
  8. Issue 11 of FRAMES Cinema Journal - The Future of Horror is now available online at http://framescinemajournal.com/.
  9. A NEW issue of #openaccess journal NECSUS on #TRUE! with a great new AV essay section curated by Kevin B. Lee! http://www.necsus-ejms.org/portfolio/spring-2017_true/.
  10. Three new contributions to "Ghetto Films and their Afterlife", in the #openaccess journal APPARATUShttp://www.apparatusjournal.net/index.php/apparatus/issue/view/3.
  11. New issue of Film-Philosophy (21, 2, 2017) now published and fully open access: http://www.euppublishing.com/toc/film/21/2. ARTICLES: Memories of the Unlived Body: Jean-Louis Schefer, Georges Bataille and Gilles Delouse by Patrick ffrench; A Body Without a Face: The Disorientation of Trauma in Phoenix (2014) and New Holocaust Cinema by Olivia Landry; Intra-Diegetic Cameras as Cinematic Actor Assemblages in Found Footage Horror Cinema by Rødje Kjetl; Fearsome Acts of Interpretation: Audiovisual Historiography, Film Theory and Gangs of New York by Mike Meneghett.
  12. New issue of Media Industries (Vol. 4, No. 1) now available. It features articles by Nora Draper, Darrell Davis and Emilie Yueh-yu Yeh, Patryk Galuszka and Katarzyna Wyrzykowska, and Justin Wyatt. The issue also contains a Special Section curated by Annette Hill and Jeanette Steemers that focuses on Media Industries and Engagement, featuring a dialogue between industry and academic researchers: http://www.mediaindustriesjournal.org/.
  13. A new international peer-reviewed open access journal of James Bond Studies, shaken not stirred: http://jamesbondstudies.roehampton.ac.uk.
  14. New issue of INTENSITIES: A JOURNAL OF CULT MEDIA: https://intensitiescultmedia.com/issue-9-spring-2017/.
  15. New issue of the Journal of Lusophone Studies features a special dossier on Portuguese Cinema: https://jls.apsa.us/index.php/jls/issue/view/23.
  16. A great new #openaccess practice-research publication: O A R Platform! Check out Issue 1: "Sites of Research" here: http://www.oarplatform.com/issue/issue-1/.
  17. On David Lynch: a new virtual special issue of the esteemed journal Screen freely accessible until end August 2017: https://academic.oup.com/screen/pages/david_lynch_virtual_issue.
  18. Laura Ivins' great video and text on Maya Deren's Film-Philosophy: http://blogs.iu.edu/aplaceforfilm/2017/05/23/maya-derens-film-philosophy/.
  19. New essay by Adrian, Martin for Photogénie, on 'play' in American screen comedy from the early sound era to the 50s and beyond: thttps://cinea.be/game-space-and-play-time-a-partial-history-american-screen-comedy/?language=en.
  20. Peter Labuza of the Cinephiliacs podcast interviews cinephile par excellence Girish Shambu: http://www.thecinephiliacs.net.
  21. Further great, recent, scholarly-related cinema podcasts available at The Cinematologists: http://www.cinematologists.com.
  22. Check out 'Edit shots' - a free for personal use (or pay what you want) resource: http://learnaboutfilm.com/editshots/.
  23. ‪Check out Professor Ian Christie's new research blog on cinema pioneer Robert Paul, the "undersung hero of early British filmmaking": https://paulsanimatographworks.wordpress.com.
  24. Attention Hitchcock Fans: there will be a free online, interactive course with multi-media course material, games and more from Ball State University. It is in conjunction with TCM running one of Hitchcock's greatest films every Wednesday and Friday night in July. You can enroll here: https://www.canvas.net/browse/bsu/tcm3/courses/hitchcock50.
  25. Great interview with Laura Mulvey at Issue 8 of  Four by Three Magazine, part of an amazing issue of the magazine on DEATH, with other contributions by luminaries on a wide range of essential specific topics.
  26. The international, Arts and Humanities Research Council-funded Filmmaking Research Network has designed a survey to gather data about filmmaking research. The aim of this survey is to compare and contrast examples of filmmaking research through producing case studies and a register of films as research outputs. It is also intended to build capacity through networking members via research themes, curating content from the film register for international dissemination and creating a Phd examiner list. Though the survey is primarily aimed at UK and Australian academics we welcome contributions from colleagues in other countries particularly those who have films to register. Please participate by completing the online survey at: https://www.surveymonkey.co.uk/r/filmmakingresearch. For further information about the network and to join the e-list visit: http://filmmakingresearch.net.
  27. Martin Scorsese on standing up for cinema in the Times Literary Supplementhttp://www.the-tls.co.uk/articles/public/film-making-martin-scorsese/.
  28. Great interview with Laura Mulvey at Four by Three Magazine: http://www.fourbythreemagazine.com/issue/death/laura-mulvey-interview.
  29. The latest issue of Learning on Screen/BUFVC journal VIEWFINDER has published a conversation between Catherine Grant, Amber Jacobs and Ian Magor about the use of audiovisual essay in film and moving image studies.
http://bufvc.ac.uk/publications/viewfinder-archive

Tuesday, 6 June 2017

A Sweet Life in Italian Cinema: In Memory of Peter Bondanella (1943-2017)


'The most exciting aspect of Bondanella’s work is, in fact, his inextinguishable faith in the power of reason and systematization which reminds us in a nostalgic way of methods and choices inspired by respect and harmony.’ Federico Fellini 

Sad news has reached Film Studies For Free of the death of Italian cinema and culture scholar Peter Bondanella on May 28th. Bondanella was Distinguished Professor Emeritus of Comparative Literature, Film Studies and Italian at Indiana University. He made many essential contributions to his fields during a career that spanned over four decades, most notably for our discipline, perhaps, his foundational volume Italian Cinema: From Neorealism to the Present, first published in 1983, and his  later reworked version of that book A History of Italian Cinema (2010).

FSFF marks Bondanella's brilliant career as well as his passing by rounding up some links to online works about him (including Gino Moliterno's wonderful obituary), as well as by him (including his magnificent recent contribution to the above embedded conversation about Fellini - who earlier had very nice things to say about Bondanella's own work, unsurprisingly).

As further tributes to Bondanella go online, these will be added below.


By Peter Bondanella

About Peter Bondanella

Other tributes

Wednesday, 8 March 2017

Videographic screen media criticism by female critics, scholars and artists #InternationalWomensDay

GENTLEMEN PREFER BLONDES (remix remixed 2013) by Laura Mulvey

Happy International Women's Day! Two of the questions Film Studies For Free's author gets asked  a lot—as a female video essayist, curator and editor/publisher—are:

  1. "Why are there so few female video essayists working on film and screen media topics?"
  2. And: "Can you please recommend some female video essayists?" 
The answer to the first question is that there aren't "so few": there are loads! And some of the very first video essayists in this field were foundational women film scholars (HINT: look above!)! Their numbers are ever-increasing, and they're a very international bunch! And the answer to the second question is YES!

Indeed, the answer to both questions is: please take a look at the below list - to which FSFF will keep adding as further names (and sample works) come to light or are recommended. If you would like to recommend a video or a video maker to add to the list, please leave a comment below. Thank you!

If you enjoy cultural interventions of the "there have always been many more than you think!" variety, here's a great one for International Women's Day, also listed below: Kelly Gallagher's The Herstory of the Female Filmmaker. Also, please, please, please check out Another Gaze's totally brilliant and beautiful interview with Laura Mulvey, with some of the most amazing insights about her work.

UPDATE (March 27, 2017): At the latest issue of [in]Transition: Journal of Videographic Film and Moving Image Studies, see the related new piece by FSFF's author: “Looking at To-Be-Looked-at-ness: Feminist Videographic Criticism."



Female Video Essayists of Note in Alphabetical order by surname

FSFF also strongly recommends the following essay (including a great video) which pays great attention to the work of a good proportion of the above by Ian Garwood, "The Place of Voiceover in Academic Audiovisual Film and Television Criticism," NECSUS: European Journal of Media Studies, Autumn 2016. Thanks also to Allison de Fren, Tami Williams, Gabrielle Kelly, Marit Norway, Jason Mittell, H. Perry Horton, Adrian Martin, Adrian Garvey, Glenn Stillar, Michael Mirasol, Steve Elworth, Pablo Useros, Mark Rappaport, Deane Williams and José Sarmiento Hinojosa for their great suggestions.

Tuesday, 7 March 2017

New ALPHAVILLE on The New Old: Archaisms and Anachronisms across Media!

Vicky McClure as Lol in This Is England 86 (Shane Meadows et al, 2009) as discussed by Louis Bayman in his article "Retro Quality and Historical Consciousness in Contemporary European Television"


Film Studies For Free today links to another recent issue of a sterling open access screen media studies journal: ALPHAVILLE, Issue 12, guest edited by Stefano Baschiera and Elena Caoduro. It is devoted
to the presence of archaisms and anachronisms in the contemporary mediascape and contributes to the current interdisciplinary debates around the nostalgia phenomena. Over the past decade, the digitalisation of culture has revolutionised the way we experience and consume the arts and the mass media, deeply affecting how these are perceived in their materiality. The tangibility of cultural objects, now caught in a constant process of remediation, has slightly waned: books, photographs, films, comic books, music, maps etc. are increasingly present in our life in their digital form. At the same time, the digital disruption of media industries has contributed to the emergence of a postmodern “nostalgia for the analogue” with the rapid increase of faux-vintage and retro phenomena in different aspects of media culture. [Baschiera and Caoduro]

Articles
Reviews
Book Reviews Editor: Loretta Goff

Reports
Reports Editor: Caroline Schroeter

New FILM-PHILOSOPHY!

Screenshot from Trois Couleurs: Rouge/Three Colors: Red (Krzysztof Kieślowski, 1994) a film discussed by Eddy Troy in his article "Deleuze and Kieślowski: On the Cinema of Exhaustion"

Film Studies For Free returns to bring you glad tidings! There is a new issue of the excellent open-access journal  Film-Philosophy out now!! More soon from FSFF!

FILM-PHILOSOPHY, Vol 21, Issue 1 [2017]

FULL LINKED TABLE OF CONTENTS HERE

ARTICLES

  • Cartesianism and Intersubjectivity in Paranormal Activity and the Philosophy of Mind by Steve Jones
  • ‘Do I feel lucky?’: Moral Luck, Bluffing and the Ethics of Eastwood's Outlaw-Lawman in Coogan's Bluff and the Dirty Harry Films by Joel Deshaye
  • Deleuze and Kieślowski: On the Cinema of Exhaustion by Eddy Troy
  • A World in the Making: Contingency and Time in James Benning's BNSF by Samuel Adelaar
  • Thrilling Objects: The Scales of Corruption in Political Thrillers by Brian Daniel Willems
  • Nietzsche on Film by Mark Steven
  • Stanley Cavell on the Magic of the Movies by Daniel Shaw


BOOK REVIEWS

  • John Ó Maoilearca (2015) All Thoughts Are Equal: Laruelle and Nonhuman Philosophy, review by William Brown
  • Daniel Varndell (2014) Hollywood Remakes, Deleuze and the Grandfather Paradox, review by María Victoria Gomez Vila
  • Patricia White (2015) Women's Cinema, World Cinema: Projecting Contemporary Feminisms, review by Judith Rifeser
  • Victor Fan (2015) Cinema Approaching Reality: Locating Chinese Film Theory, review by David H. Fleming
  • Daniel Yacavone (2015) Film Worlds: A Philosophical Aesthetics of Cinema, review by Seagate Chakravorty
  • Response to Review of Film Worlds: A Philosophical Aesthetics of Cinema by Seagate Chakravorty, by Daniel Yacavone