Alexander Kluge discusses the role of montage (excerpt from Schnitte in Raum und Zeit)
If I feel myself as the producer of my life, then I am unhappy. So I would rather be a spectator of my life. I would rather change my life this way since I cannot change it in society. So at night I see films that are different from my experiences during the day. Thus there is a strict separation between experience and the cinema. That is the obstacle for our films. For we are people of the 60s, and we do not believe in the opposition between experience and fiction. –- Alexander Kluge, 1988 [cited by Jonathan Rosenbaum]
It's Alexander Kluge's 80th birthday and Film Studies For Free is delighted to celebrate his astonishing and hugely important career with its own little e-festschrift of scholarly links - see below.
If you love and value Kluge's films as much as FSFF does, you'll want to read the fine post that David Hudson has composed in the German filmmaker's honour at the MUBI Notebook full of fascinating online reading, including news of Kluge's latest book out, Das fünfte Buch - Neue Lebensläufe. 402 Geschichten.
FSFF's own assembly, from the great video above to the list of written studies below, contains links to the contents of a fabulous new openly accessible book on Kluge's work -- one of the best edited (by Tara Forrest) collections FSFF has ever had the pleasure of reading -- which has just been published by the fantastic scholars at Amsterdam University Press.
- Nicole Brenez, 'T. W. Adorno: cinema in spite of itself—but cinema all the same', Cultural Studies Review, 13.1 March 2007
- Caryl Flynn, The New German Cinema: Music, History, and the Matter of Style (Berkeley: University of California Press, 2004)
- Tara Forrest, Alexander Kluge : Raw Materials for the Imagination (Amsterdam: Amsterdam University Press, 2012)
- Introduction
- Editor’s Introduction
- 'The Stubborn Persistence of Alexander Kluge' by Thomas Elsaesser
- 'On Film and the Public Sphere' by Alexander Kluge
- 'Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to GERMANY IN AUTUMN' by Miriam Hansen
- ‘"What is Different is Good": Women and Femininity in the Films of Alexander Kluge' by Heide Schlüpmann
- 'In Search of Germany: Alexander Kluge’s THE PATRIOT' by Anton Kaes
- 'Alexander Kluge and German History: "The Air Raid on Halberstadt on 8.4.1945"’ by David Roberts
- 'The Air Raid on Halberstadt, 8 April 1945 (extract)' by Alexander Kluge
- 'Construction Site Film: Kluge’s Idea of Realism and His Short Films' by Eike Friedrich Wenzel
- 'The Sharpest Ideology: That Reality Appeals to its Realistic Character' by Alexander Kluge
- 'Debate on the Documentary Film: Conversation with Klaus Eder, 1980' by Alexander Kluge and Klaus Eder
- 'Undoing Act 5: History, Bodies and Operatic Remains in THE POWER OF EMOTION' by Caryl Flinn
- ‘Feelings Can Move Mountains ...’: An Interview with Alexander Kluge on the Film THE POWER OF EMOTION' by Florian Hopf
- 'Alexander Kluge’s Phantom of the Opera' by Gertrud Koch
- 'An Analytic Storyteller in the Course of Time' by Andreas Huyssen
- 'The Political as Intensity of Everyday Feelings' by Alexander Kluge
- 'At the 2003 International Security Conference' by Alexander Kluge
- 'Raw Materials for the Imagination: Kluge’s Work for Television' by Tara Forrest
- 'Television and Obstinacy' by Christian Schulte
- 'Reframing Islam in Television: Alexander Kluge’s Interviews on Islam and Terrorism since 9/11' by Tim Grünewald
- 'In the Real Time of Feelings: Interview with Alexander Kluge' by Astrid Deuber-Mankowsky and Giaco Schiesser
- 'Character Armour and Mobile Warfare' by Alexander Kluge and Heiner Müller
- 'Jeff Mills: Godfather of Techno' by Alexander Kluge and Jeff Mills
- 'Tsunami of Emotion: On Puccini’s Tosca' by Alexander Kluge and Joseph Vogl
- 'Reinventing the Nickelodeon: Notes on Kluge and Early Cinema' by Miriam Hansen
- ‘All Things Are Enchanted Human Beings’: Remarks on Alexander Kluge’s NEWS FROM IDEOLOGICAL ANTIQUITY' by Christian Schulte
- Terri Ginsberg, 'Bordering on Disaster: Toward an Epistemology of Divided Cinematic Space', Spectator 29.1 (Spring 2009): 30-36
- Angelos Koutsourakis, 'Brecht Today: Interview with Alexander Kluge', Film-Philosophy, Vol. 15, No. 1, 2011
- Kevin B Lee, 'Abschied von gestern – (Anita G.) / Yesterday Girl (1966, dir. Alexander Kluge)', Shooting Down Pictures, January 18, 2010
- Lisa McDonald, 'Baroque Inclinations', Cultural Studies Review, 14, September 2008
- Christopher Pavsek, 'The Stubborn Utopian: The Films of Alexander Kluge', Cinema Scope, 32, 2011
- Julia Vassilieva, 'Capital and Co.: Kluge/Eisenstein/Marx', Screening the Past, 8, 2011
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