Monday, 29 November 2010

Wide Screen Journal on Film Production Studies

Javier Casanova in Vainilla Chip (Erik Knudsen, 2009) Watch this film here (or here) and read Knudsen's article on his work

Set in the small Cuban town of San Antonio de los Baños, just outside Havana, Vainilla Chip tells the story of an ordinary day for an elderly ice cream maker, Javier Rodriguez Casanova. An ordinary day which, like all the other ordinary days, has become painfully pierced by an acute sense of longing for his deceased wife.
     This film is an intimate portrait of a hard working man in a contemporary Cuba far removed from clichés of The Revolution and romanticised memories of Cuban music. Vainilla Chip brings the musicality of one ordinary man’s life to the fore to reveal a universal struggle affecting many people across cultural and political divides. [Erik Knudsen]
We often hear that the power of films lays in their emotional impact. In recent years, some corners of film studies have been preoccupied with the investigation of the senses and the body, which could be related to the view of films in terms of emotions and affect. Much of the filmmaking process rests on creating and communicating this emotional power of the films. Instead of thinking, like Powdermaker did, that the film workers are collectively involved in story-telling, or like Bordwell, Thompson and Staiger, that they are preoccupied with the generation of a particular style of filmmaking, we would like to argue that films are collectively involved in generating, assembling and crafting the emotion of the film. [Graham Roberts and Dorota Ostrowska]

Film Studies For Free is very happy to pass on news that a special issue of the online, Open Access film journal Wide Screen has just been published on "Production Studies". The issue was edited by Graham Roberts and Dorota Ostrowska. The Table of Contents is given below.

  • 'Magic, Emotions And Film Producers: Unlocking The “Black-Box” Of Film Production' by Dorota Ostrowska Abstract PDF HTML
  • 'The Film Producer as a Creative Force' by Alejandro Pardo Abstract PDF HTML
  • 'Housekeeper of Hong Kong cinema: The role of producer in the system of Hong Kong film industry' by Cindy Chan Abstract PDF HTML
  • 'Close Encounters?: Contemporary Turkish Television And Cinema' by Melis Behlil Abstract PDF HTML
  • 'Anthology Film. The Future Is Now: Film Producer As Creative Director' by Shekhar Deshpande Abstract PDF HTML
  • 'Cinema Of Poverty: Independence And Simplicity In An Age Of Abundance And Complexity' by Erik Knudsen Abstract PDF HTML
  • 'Understanding Orlova: Youtube producers, Hot for Words, and some pitfalls of production studies' by Patrick Vonderau Abstract PDF HTML

No comments: