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| Frame grab from Sans Soleil/Sunless (Chris Marker, 1983) |
Senses of Cinema, Issue 66 , March 2013
Editorial Introduction
Features
- To the Viewer: On Nicholas Ray’s We Can’t Go Home Again by Susan Ray
- Sirk, Hollywood and Genre by Tom Ryan
- Bodies in Filmic Space: The Mise en Scène of ‘Courtship Readiness’ in The Big Sleep by Warren Buckland
- Notes on Sans Soleil by Murray Pomerance
- Thank God We Don’t Have a Pope: Habemus Papam, Moretti’s Apocalypse by Marko Bauer
- The Angels’ Share: Ken Loach and Paul Laverty Lift Scotland’s Kilts to Expose Its Darker Parts by David Martin-Jones
- Poetry in the Air: Mad Bastards and Toomelah by Lorraine Mortimer
- It All Flows Back: Treed Murray and the Limits of Urban Community by Zachary Abram
- Umwelt, Landscape and Lupu Pick’s Sylvester by Tyson Wils
- In Dreams and Imagination: Surrealist Values in Mulholland Dr. and Inland Empire by Michael Pattison
- Vertigo: The Best Film of All Time? by Peter Wertz
- Cecil B. DeMille by Anton Karl Kozlovic
Adrian Danks's Introduction to the Dossier
- The Ubu Moment and Australian Experimental Film: Interviews with Albie Thoms by Danni Zuvela for OtherFilm
- Albie – A Well-Directed Life by Tina Kaufman
- Albie Thoms (dissimilis aliqua alia) by Peter Mudie
- Why Albie Thoms? – A Singular Commitment and a Figure Displaced by Barrett Hodsdon
- Days of Future Past: Albie Thoms’ Polemics by Jake Wilson
- Memoir of Albie by John Flaus
- Albie Thoms as an Historian by Graham Shirley
- Albie Thoms Refractions by Danni Zuvela for OtherFilm
Cinémathèque Annotations on Film
- Darragh O’Donoghue on Ballad of Narayama
- Brian Darr on Carmen Comes Home
- Gregory Dolgopolov on Khrustalyov, My Car!
- Tara Judah on Comrades
- Hamish Ford on Two or Three Things I Know About Her
- Christopher Weedman on Notre musique
- Lee Hill on Prénom Carmen
- David Melville on Carmen Jones
- Rachel Brown on The Man With the Golden Arm
- Matthew Sorrento on Laura
- John Fidler on Anatomy of a Murder
- Pasquale Iannone on L’assassino
- Wheeler Winston Dixon on La decima vittima
- Gino Moliterno on Property is No Longer a Theft
- Federico Passi on I giorni contati
- Gino Moliterno on Todo modo
- Pasquale Iannone on Trial of the Road
- Cerise Howard on A Midsummer Night’s Dream and The Hand
- Peter Hourigan on The Sun in a Net
- Dimitrios Latsis on Film, Art, New Media: Museum without Walls?
- Kath Dooley on The Beauty of the Real: What Hollywood Can Learn From Contemporary French Actresses
- Daniele Rugo on To Sign One’s Life (With Cinema)
- Federico Passi on Giorgio Mangiamele
- Nick Herd on Local Hollywood: Global Film Production and the Gold Coast
- Lia McCrae-Moore on Jedda
- Daniel Fairfax on Alexander Kluge: Raw Materials for the Imagination
- Tony Mc Kibbin on Film After Film
- Matthew Flanagan on BFI London’s Experimenta Weekend
- Bérénice Reynaud on AFI FEST & American Film Market (AFM)
- Dirk de Bruyn on the Alternative Film/Video Festival
- Bérénice Reynaud on Sundance
- Marc Saint-Cyr on Rotterdam
- Lisa Franek on Art House Convergence
- Daniel Fairfax on Berlin
- Gemma King on Festival du film fantastique and Festival des cinémas différents et expérimentaux
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