Wednesday, 11 May 2011

‘Daddy’s dead. Noooo!’: Quentin Tarantino and Psychoanalysis Beyond the Paternal principle

 Image from Death Proof (Quentin Tarantino, 2007)
Today, Film Studies For Free brings you links to audio recordings from a symposium on Quentin Tarantino and psychoanalysis "beyond the paternal principle", hosted by The London Graduate School and the London Society for the New Lacanian School. It took place on 4th April, at the Institute for Contemporary Arts, The Mall, London. The symposium engagingly described itself thus:
‘Daddy’s dead. Noooo!’ (Tarantino, from Dusk Till Dawn)
Tarantino’s movies frequently turn on the abjection of a paternal figure (Marcellus Wallace, Jacob Fuller, Bill, Stuntman Mike), who loses his place and authority to become a redundant figure of consumption and expenditure. Tarantino’s movies themselves, in their restless play of reflexive images and references, are always seeking to produce the maximum in cinematic affect irrespective of the aesthetic unities of generic form, symbolic consistency, realism. This symposium explores the suggestion that Tarantino’s movies best symptomatise a tendency in Hollywood generally where cinema is no longer a vehicle of (anti)Oedipal desire, but a febrile, speculative generator of thrills, pleasures and anxieties swarming along an accelerating death drive which is itself death proof. In Tarantino’s film of the same name, for example, the impotence of itinerant ex-stuntman Mike is the condition of a romance between two iconic automobiles, vehicles not of male potency but an altogether Other jouissance.
  • INTRODUCTION: Véronique Voruz (the London Society of the New Lacanian School)[AUDIO HERE] Right click to save
  • TARANTINO’s GIRLS: Gérard Wajcman (writer, psychoanalyst, curator and art critic. He teaches at the Department of Psychoanalysis of Paris 8 University and is a member of the École de la Cause Freudienne and the World Association of Psychoanalysis) read by Scott Wilson [AUDIO HERE]
  • POST-PHALLIC LIBIDINAL ECONOMIES: Hager Weslati (London Graduate School, Kingston University) [AUDIO HERE]
  • SCREEN, DRIVE, ROMANCE: Fred Botting (London Graduate School, Kingston University, co- author of the Tarantinian Ethics (Sage, 2001)) [AUDIO HERE]
  • PSYCHE, THAT INGLOURIOUS BASTERD: Scott Wilson (London Graduate School, Kingston University, co- author of the Tarantinian Ethics (Sage, 2001)) [AUDIO HERE]
  • TOUGH LOVE: Marie-Hélène Brousse (practising psychoanalyst in Paris, a member of the École de la Cause freudienne and of the World Association of Psychoanalysis) [AUDIO HERE]

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