Jean-Louis Comolli in Buenos Aires, 2010, speaking on the subject of the 'democratization of filmmaking' in the digital era (in French with Spanish subtitles) Transcript in Spanish here. Google translation of transcript here
Film Studies For Free brings you the ever happy tidings of the new issue of Senses of Cinema.
It's a fascinating collection of work, and very wide-ranging: from part one of an interview with, and an article by, Jean-Louis Comolli, film theorist and Cahiers du cinéma editor in possibly its most political period (1966-1978) through Murray Pomerance on Hitchcock to a number of articles on the Oscar-laden French film The Artist (Michel Hazanavicius, 2011).
Links to all the great contents are given below.
Senses of Cinema, Issue 62 Contents
Editorial
Feature Articles
- An Interview with Jean-Louis Comolli (Part 1) by Daniel Fairfax. Part 2 will be published in issue 63.
- Jean-Louis Comolli on La belle journée
- Zafar Masud on The Artist and the MacMahon Factor
- Andrew Gilbert on The Death of Film and the Hollywood Response
- Joseph Natoli on The Artist
- Murray Pomerance on the Architectonics of a Hitchcockian Shot
- Robert Alpert on Movie Love in the Classic and Post-Modernist Traditions
- Daniella Gitlin on Song of Ceylon
- Eloise Ross on Sounds from the City in Film Noir
- Gabrielle Ringuet, All Visual and No Sound Would Make Jack a Dull Boy
- David Martin-Jones on Colombiana
- Max Nelson on Maurice Pialat
- Richmond B. Adams on John Ford's The Sun Shines Bright
- Daniel Fairfax on Artavazd Pelechian
- Bérénice Reynaud on Sundance and the Pan African Film and Arts Festival and AFI/AFM
- Dirk de Bruyn on Bangkok Experimental
- Daniel Fairfax on Rotterdam
- Mattias Frey on Berlin
- Celluloid Liberation Front on Rotterdam
- Barbara Wurm on Viennale and Venice
- Courtney Sheehan on the International Documentary Festival Amsterdam
- Graham Dasseler on Pauline Kael: A Life in the Dark
- Susan Rowland on Wild/Lives
- Todd Herzog on New Austrian Film
- Marcin Wisniewski on the Queer Film Classics series
- Joseph Valle on Reframing Bodies
- Cerise Howard on Into the Past and Playing With Memories
- James Bennett on New Zealand Cinema
- Mithuraaj Dhusiya on Better off Dead
- Matt Hawkins on The 21st Century Screenplay and Screenwriting: History, Theory and Practice
- Adrian Danks on America America
- Arthur Rankin on Splendor in the Grass
- Michael Da Silva on East of Eden
- Carlota Larrea on American Friend
- Brian Darr on Wild Night in El Reno
- Christopher Lupke on Flowers of Shanghai
- Stephen Teo on The Man from Hong Kong
- Christopher Sharrett on L'eclisse
- Jonathan Dawson on The Passenger
- Deane Williams on Helen Levitt
- Gwendolyn Audrey Foster on A Man Escaped
- Bill Mousoulis on Mouchette and Au Hasard, Balthazar
- Rick Thompson on Pickpocket
- José Sarmiento on Proces de Jeanne D'Arc
- Adrian Miles on L'argent
- Majari Kaul on Les Dames du Bois de Boulogne
- Pasquale Iannone on I Magliari
- Darragh O'Donoghue on Salvatore Giuliano
- Pasquale Iannone on Lucky Luciano
- Peter H. Kemp on The Scarlet Empress
- William "Bill" Blick on The Docks of New York
- Wheeler Winston Dixon on Shanghai Express
- Robert Keser on The Epic That Never Was
- Shari Kizirian on The Last Command
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