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| Frame grab from Drôle de Félix (Olivier Ducastel and Jacques Martineau, 2000) |
Film Studies For Free's author is busy with marking this weekend, and so can only look longingly for now at the below Table of Contents of a bumper new issue of the journal Wide Screen which appears to be going from strength to strength. There are some very enticing and valuable items here, so FSFF wanted to rush its readers the usual direct links to the openly accessible contents.
Wide Screen Vol.3 No.1
- 'From the Editors' Desk' by Kuhu Tanvir PDF
- 'Militants and Cinema: Digital Attempts to Make the Multitude in Hunger, Che, Public Enemies' by Joshua Aaron Gooch Abstract PDF
- 'Minnelli's Yellows: Illusion, Delusion and the Impression on Film' by Kate Hext Abstract PDF
- Trauma, Post-Apocalyptic Science Fiction and the Post-Human' by Anirban Kapil Baishya Abstract PDF
- 'Drôle de Félix: A Search for Cultural Identity on the Road' by Zélie Asava Abstract PDF
- 'An Analysis of the Technoscientific Imaginary in the Remake of The Stepford Wives' by Jessica Johnston and Cornelia Sears Abstract PDF
- Home Sweet Home: The Cautionary Prison/Fairy Tale' by Paul Tremblay Abstract PDF
- Handling Financial and Creative Risk in German Film Production' by M. Bjørn von Rimscha Abstract PDF
- Opening Pandora’s (Black) Box: Towards A Methodology Of Production Studies' by Graham Roberts Abstract PDF
- 'Introduction: Cinemas of the Arab World' by Latika Padgaonkar Abstract PDF
- 'Cinema “Of” Yemen And Saudi Arabia: Narrative Strategies, Cultural Challenges, Contemporary Features' by Anne Ciecko Abstract PDF
- Director Profile: Mai Masri' by Latika Padgaonkar Abstract PDF
- Salah Abu Seif and Arab Neorealism' by Ouissal Mejri Abstract PDF
- Review: London River' by Latika Padgaonkar Abstract PDF
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