Frame grab from All About My Mother (Pedro Almodóvar, 1999) from an image-essay by Ryland Walker Knight) - see also Fiona Jenkins' wonderful SCAN essay, Grief’s Testimony: On Almodóvar’s All About My Mother
It's Open Access Week this week, and while every Film Studies For Free blogpost brings you links to openly accessible Film and Media Studies resources, FSFF thought it was a good moment to celebrate one of the most consistently excellent OA e-journals, the Australia-based SCAN: Journal of Media Arts Culture. Below, then, is a complete and convenient one-stop index of live links to all the refereed articles on film and media that SCAN has published in its five and a half years of online existence.
FSFF's highlights are: the Film as Philosophy and Screenscapes Past Present Future special issues; the fantastic Cinematic Scriptwriting issue, edited by Kathryn Millard; Elizabeth A. Wilson's brilliant reflections on artificial intelligence; Justine Toh on Batman Begins; Christopher Hayton on Charlton Comics' Monster Movie Adaptations; Darrin Verhagen on audiovision; and Ahu Paköz on Persepolis.
- Vol 6 Number 2 September 2009 on Sound.Music.Design
The Expanded-contracted Field of Recent Audio-Visual Art Ian AndrewsDeveloping the Practice and Theory of Stream-based Sonification Stephen Barrass
Captured Space Philip Samartzis
Audiovision, psy-ops and the perfect crime: Zombie Agents and sound design Darrin Verhagen
Body≈Sounds: an emergent sonic practice Danielle Wilde
- vol 6 number 1 June 2009 Reading Between the Panels (Part II)
Considering comics as medium, art, and culture - the case of From Hell Simon Locke
Remasters of American Comics: Sequential art as new media in the transformative museum context Damian Duffy
Fantastic Giants: Charlton Comics' Monster Movie Adaptations Christopher Hayton
Reading Comics Rhetorically: Orality, Literacy, and Hybridity in Comic Narratives Bobby Kuechenmeister
- vol 5 number 3 December 2008 Biopolitics of the senses: touch, sound and embodied being
Possession without a touch: letters of Marina Tsvetaeva: Written in and translated from the Russian by Natalija Arlauskaite
"When the grinding starts": Negotiating touch in rehearsal Kate Rossmanith
Sound, touch, the felt body and emotion: Toward a haptic art of voice Yvon Bonenfant
Interactive instrumental performance and gesture sonification Kirsty Beilharz
Critical Dialogues 1 David Chapman and Louise K. Wilson, with Anne Cranny-Francis
Sonic Assault to Massive Attack: touch, sound and embodiment Anne Cranny-Francis
- vol 5 number 2 September 2008 Reading Between the Panels (Part I)
(Re)Constructing History: Italy's Post-War Resistence Movement in Contemporary Comics Laura Perna
Too Cruel: The Diseased Teens and Mean Bodies of Charles Burns's Black Hole James Zeigler
"His greatest enemy – intolerance!" The Superman radio show in 1946 Michael Goodrum
Out of Africa: The Saga of Exiled Cartoonists in Europe John A. Lent
A Reawakening of Memories in Comic Form: Persepolis by Marjane Satrapi Ahu Paköz
The Cultural Biographies and Social Lives of Manga: Lessons from the Mangaverse Mio Bryce, Jason Davis and Christie Barber
If Walls Could Talk: Spatialising Narrative in the Museum Peter Doyle
- vol 5 number 1 May 2008 Screenscapes Past Present Future
For a History of Black Sean Cubitt
YouTube: the New Cinema of Attractions Teresa Rizzo
S.M.L.XL: Feature film across the Screenscape Alex Munt
Voice, Image, Television: Beckett’s Divided Screens Julian Murphet
James Ellroy's Cinematic Crime Writing: From 'Stephanie' to My Dark Places Rodney Taveira
Surveillance Screens and Screening in Code 46 Peter Marks
From Big to Little Screens: Recurring Images of Democratic Credibility and the Net Mark Rolfe
- vol 4 number 3 December 2007 Mobile Media/Public Spaces
Uncertain Spaces: Artists’ Exploration of New Socialities in Mediated Public Space Maria Miranda
Dead to the World: The future of hand-held art Darren Tofts
iApparatus or How the Culture of Personalised Media Creates Millions of iOperators Andreas Ströhl
- vol 4 number 2 august 2007 Film as Philosophy
A phenomenology of tragedy: illness and body betrayal in The Fly Havi Carel
Grief’s Testimony: On Almodóvar’s All About My Mother Fiona Jenkins
A Play of Memory: Chris Marker’s Sans Soleil Catherine Summerhayes
Grace and Violence: Questioning Politics and Desire in Lars von Trier’s Dogville Robert Sinnerbrink
Even Better than the Real Thing: Sadism and Real(ity) T.V. Matthew Sharpe
The cinematic condition of the politico-philosophical future Daniel Ross
- vol 4 number 1 April 2007 e-Performance: Post-disciplinary contexts and theorisation
soundAFFECTs: transcoding, writing, new media, affect Hazel Smith
Performing the Network Maria Miranda and Norie Neumark
Sonic Immersion: Interactive Engagement in Real-Time Immersive Environments Garth Paine
Performing Posthuman Perspective: Can You See Me Now? Rosemary Klich
e-Collaborations in Sixties America: 9 Evenings, the Dancer’s Body, and Electronic Technologies Meredith Morse
- vol 3 number 3 December 2006 Technological Interventions
Somatechnics, or Monstrosity Unbound Nikki Sullivan
Somatic Technologies: Embodiment, New Technologies and the Undead Anne Cranny-Francis
Cyber Disobedience: Gandhian Cyberpunks Cynthia Townley & Mitch Parsell
Deus est Machina: Technology, Religion and Derrida’s Autoimmunity Nick Mansfield
(De)constructing Technologies of Subjectivity Nicole Anderson
Border Trouble: photography, strategies, and transsexual identities Sara Davidmann
Grow Your Own - Angiogenetic Body Adornment Norman Cherry
- vol 3 number 2 October 2006 Cinematic Scriptwriting (edited by Kathryn Millard)
Kind of a Revolution, and Kind of Not: Digital Low-Budget Cinema in Australia Today Adrian Martin
Writing for the Screen: Beyond the Gospel of Story Kathryn Millard
Re-telling History in the Digital Age: The Scripting Of Hunt Angels Alec Morgan
Digital Kiarostami & The Open Screenplay Alex Munt
Writing the 'Real'/ Really Writing Maree Delofski
Writing on the screen John Grech
- vol 3 number 1 June 2006 News and the Net: Convergences and Divergences
Wikinews: The Next Generation of Alternative Online News? Axel Bruns
Disaggregating Online News: The Canadian Federal Election, 2005-2006 Greg Elmer, Zach Devereaux & David Skinner
Democracy & Online News: Indymedia and the Limits of Participatory Media Lee Salter
The Daily Show, Crossfire, and the Will to Truth Megan Boler
- vol 2 number 3 December 2005 Shadows of the Dead: Mediating the Archive Photograph
The Utilitarian Photographer Lindsay Barrett
Doomed streets of Sydney 1900-1928: Images from the City Council's Demolition Books Sue Doyle
Haunted by a Vitality that is No More - Interpreting the Photograph in the Crime Archive Caleb Williams
Public eye, private eye: Sydney police mug shots, 1912-1930 Peter Doyle
- vol 2 number 2 September 2005 Memory, Media, and Embodied Cognition
"Can you think what I feel? Can you feel what I think?": Notes on affect, embodiment and intersubjectivity in AI Elizabeth A. Wilson
"The Chain of Memory": Distributed Cognition in Early Modern England Evelyn Tribble
Tangkic Orders of Time: an anthropological approach to time study Paul Memmott
Body Memory in Muscular Action on Trapeze Peta Tait
The Dynamic Body Image and the Moving Body: revisiting Schilder's theory for psychological research Francine Hanley
The Mutation of "Cognition" and the Fracturing of Modernity: cognitive technics, extended mind and cultural crisis Andrew Murphie
Indexing Audio-Visual Digital Media: the PathScape prototype Mike Leggett
Seeking self-consistency with integrity: an interdisciplinary approach to the ethics of self and memory Russell Downham
On the Likely Form of 'Autobiographical Memory' for Aristotle James William Ley
- vol 2 number 1 April 2005 "The Glittering Tart": Imaging Sydney
The Enigma of Arrival James Donald
SYD: the city as airport Gillian Fuller & Ross Rudesch Harley
Morphings and Ur-Forms: From Flâneur to Driveur Sherman Young
Drawing Sydney: Flatlands and the Chromatic Contours of a Global City Stephanie Hemelryk Donald & John Gammack
"I’d rather take Methadone than Ken Done": Branding Sydney in the 1980s Susie Khamis
Blue Murder: a RE-IMAGINED history Greg Levine & Stephen McElhinney
- vol 1 number 3 November 2004 BODILY (Trans)Formations
Body Politics in Post-Soviet Russia Dmitry Mikhel
'It's as plain as the nose on his face': Michael Jackson, modificatory practices, and the question of ethics Nikki Sullivan
Fleshly Impressions: The Work of Paddy Hartley Paddy Hartley
The Monster Body of Myra Hindley Cathy Hawkins
Producing Identity: Elective Amputation and Disability Harminder Dosanjh Kaur
Queering Performativity: Disability After Deleuze Margrit Shildrick
Better dicks through drugs? The penis as a pharmaceutical target Petra Boynton
Digital memories, analogues of affect Robert Payne
“Pagan Poetry”, Piercing, Pain and the Politics of Becoming Greg Hainge
The Christological Imperative: notes towards a speculative re-interpretation of Catholic martyrdom Daniel Nourry
- vol 1 number 2 June 2004 Ghost & Their Machines: Magic, Technology and the Uncanny
Contingency on the Island of Ghosts Stephen Muecke
Machine Love and the Uncanny Object: A Children's Story Annette Hamilton
The Ghost In/On The Machine: Magic, Technology And The "Modest Witness" Anne Cranny-Francis
Dream Cities: The Uncanny Powers of Electric Light Scott McQuire
Seeing Impossible Bodies: Fascination as a Spatial Experience Patricia Pringle
Technology and Magick Steve Collins
- vol 1 number 1 January 2004 Ludic Moments
Co-Creative Media: Online Multiplayer Computer Game Culture Sue Morris
The Experience of Information in Computer Games
Patrick CroganPlaying in the Zone: Thirdspace in Jet Set Radio Future and Shenmue II Brett Nicholls & Simon Ryan
Games, Simulation & Serious Fun: An Interview With Espen Aarseth Patrick Crogan
Neither gaze nor glance, but glaze: relating to console game screens Chris Chesher
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