|Images from The Story of Adèle H. (François Truffaut, 1975) and The Piano (Jane Campion, 1993) - two films referred to in Agustín Zarzosa's article 'Jane Campion's The Piano: melodrama as mode of exchange'|
As well as the marvellous aforementioned items, FSFF also highly recommends the articles by Mette Kramer and Agustín Zarzosa.
All freely accessible material is linked to below.
- The embrace of Mother Nature: appraisal processes and the regulation of affect in attachment genres by Mette Kramer
- Impersonal Enunciation, or the Place of Film (extracts) by Christian Metz and Translated by Cormac Deane
- A lightning-image of the kaleidoscope: a review of Päsi Valiaho's Mapping the Moving Image by Imola Mikó
- The narrative structuring and interactive narrative logic of televised professional wrestling by Aaron J. Petten